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He is a founder of the Jazz Heritage Foundation. Gary Burton has been a trendsetter in both the performance of jazz music as well as the development of jazz education. As a winner of 7 Grammys and 15 Grammy nominations, he was instrumental in the development of jazz-fusion as well as the revival of the duo concert. Gary Burton elaborates on the importance of being around younger musicians as well as his own natural progression from being the youngest musician on the bandstand to becoming a mentor of young musicians.

This native New Yorker made memorable impressions as a great bandleader and improviser. Carter received numerous awards, including a Grammy Lifetime Achievement Award in He has also employed both the cello and the piccolo bass, and is one of the first musicians to use those instruments in jazz settings. His pursuit of music began with the cello, as a student in Detroit public schools. Jimmy Cobb continues to play music in New York City, where he lives with his wife and two children. By the age of 17 he was touring with B. King and with whom he switched from playing mainly alto to the tenor saxophone.

After finishing his tenure with King, in Coleman went on to play with the likes of Miles Davis and Herbie Hancock before fronting his own bands. He is known both as a keyboardist and as a composer-arranger. Moving fluidly between jazz, fusion, and classical music throughout a four-decade career, Corea has garnered 16 Grammy Awards.

He continues to create projects in multifaceted settings for listeners around the world. He began playing the clarinet at age nine. Widely regarded as one of the great drummers in modern jazz, this Chicagoan has played with virtually every major jazz figure from the s on, including Miles Davis, Herbie Hancock, Ornette Coleman, and Sonny Rollins. In the s, the Chicago native developed a flamboyant performance style, which at times overshadowed her extraordinary piano playing, deep sense of swing, and wide-ranging repertoire.

A self-taught musician, his earliest gig came during high school in Columbus, Ohio, with the Earl Hood band. Early in his career, he helped to popularize the flugelhorn in jazz. Later, he switched to a hybrid instrument known as the flumpet, which combined the power of the trumpet with the warmth of the flugelhorn.

Born in Cincinnati, Ohio, Foster began playing clarinet at age 11 before taking up the alto saxophone and eventually the tenor. He also was an extremely successful freelance writer, creating works performed by Sarah Vaughan and Frank Sinatra. A celebrated jazz tenor saxophonist, Von Freeman, was born and raised in Chicago and, outside of his years in the navy when he played in a military band, he rarely performed outside of the city. Freeman actively avoided the road and, seemingly, fame; going so far as to turn down an opportunity from Miles Davis.

Freeman credited his relative obscurity for the district and lauded sound he was able to create. Golson began on the piano at age nine, moving to the saxophone at age Golson was born in Philadelphia. Together with her husband Max, she later owned and operated the famous Village Vanguard, now the longest-running jazz club in New York City.

Lorraine Gordon was born in Newark, New Jersey. Lorraine Gordon talks about how she followed jazz through collecting records and learning its history. He has collaborated with artists ranging from Bill Evans to Itzhak Perlman and performed alongside most of the jazz greats of the 20th century. As a teenager growing up in Los Angeles, Hamilton started playing regularly for the first time with a band that included classmates Charles Mingus, Dexter Gordon, and Illinois Jacquet.

He is the founder of the illustrious World of Trombones: an ensemble of nine trombones and a rhythm section. Hampton was born in Jeannette, PA. Roy Haynes was born in Roxbury, MA. Returning to his native Philadelphia, Heath briefly led his own big band with a saxophone section including John Coltrane and Benny Golson. Heath has made over recordings and composed over original works.

Heath played with the MJQ, off and on, from its beginning in for more than 40 years. His talents on bass were also much in demand as the house player for both Prestige and Blue Note record labels. A gifted lyricist, he has contributed lyrics for Count Basie, Horace Silver, Miles Davis, and Art Blakey, brilliantly mirroring their instrumental effects. Hentoff began his education at Northeastern University in Boston, his hometown, and went on to pursue graduate studies at Harvard University. In addition to his status as a renowned jazz historian and critic, Hentoff also is an expert on First Amendment rights, criminal justice, and education and has written a number of books on these topics.

A Tribute to Jazz Historian Al Rose | 64 Parishes

After writing for Charlie Barnet, in he began his association with Stan Kenton, for whom he would compose and perform for many years to come. To date, Holman has won three Grammy Awards. In the late s, he began to gain recognition as a composer. In , he returned to his hometown Indianapolis and began playing, touring, and recording again. Johnson on why he bought his first car and the reason behind it, a great JJ and Kai Winding story.

His propulsive style powered the John Coltrane Quartet during his six-year stint with the group and influenced countless percussionists that followed him over the past 40 years. Hank Jones , a member of the famous jazz family that includes brothers cornetist Thad and drummer Elvin, served as a pianist in a vast array of settings, always lending a distinctive, swinging sensibility to the sessions. He has distinguished himself in just about every aspect of music, including as a bandleader, record producer, musical composer and arranger, trumpeter, and record label executive.

He has also been instrumental in the re-issuing of many jazz legends including Louis Armstrong. Born to an Austrian father and a Russian mother in Chicago, Konitz as a youth studied clarinet, then alto saxophone with various teachers. Today, the 85 year-old divides his time between residences in the United States and Germany and continues to travel and perform around the globe. A major force on the international musical scene for more than six decades, he was one of the first to bring a world music approach to traditional jazz.

At the same time, he was gigging at night, playing with jazz and Latin musicians including Mongo Santamaria, Lloyd Price, and John Lewis. He is one of the very few to specialize on the flute in jazz, and has become the premier musician on the instrument. In three decades of playing, he has also mastered pop, rhythm-and-blues, and classical genres. As a musician, he performed as a bassist, however he is also renowned as a leading representative of jazz musicians and the first African American personal manager.

Born in Chicago, he began taking piano lessons at the age of four and credits his teacher with awakening him to the communicative power of music.


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Lincoln was born in Chicago and raised in rural Michigan. Growing up in Los Angeles, some of her first work during the s was with two West Coast masters: bandleader Gerald Wilson and tenor saxophonist Dexter Gordon. Her career helped pave the way for women in jazz in roles other than as vocalists. After playing with masters such as Ornette Coleman, Charlie Haden, and Cannonball Adderley, Lloyd formed his own group and, in , recorded Forest Flower: Live at Monterey, which was one of the first jazz albums to sell over one million copies.

Lloyd is praised for his unique ability to blend jazz and world music. Although the city was noted for Dixieland and rhythm-and-blues, Ellis was more interested in bebop. In addition to his skillful piano playing, he became the director of jazz studies at the New Orleans Center for Creative Arts high school in , mentoring such contemporary artists as Terence Blanchard, and Harry Connick, Jr.

McIntosh was born and raised in Baltimore. After a stint with the Army, he attended Juilliard and later became an active participant in the New York jazz scene as a trombone player and composer. He grew up in a musical family in New York City: his father was a guitarist and his stepfather owned a record store. McLean and his wife Dollie founded the Artists Collective, a community center and fine arts school, primarily for troubled youth. Moody was an engaging entertainer, captivating audiences with his personal charm and wit.

Although born in Savannah, he was raised in Newark, New Jersey. His interest in jazz was sparked by a trumpet-playing father who gigged in the Tiny Bradshaw band. He led his own bands, and worked alongside Gene Ammons and Sonny Stitt, with whom he co-led a three-tenor sax band.

James Moody discusses being drafted into the Air Force and learning that white German prisoners of war had more rights than Negro American soldiers. His playing skillfully fuses the rhythm of his Puerto Rican heritage with the melody and complexity of his jazz influences: his older brother Charlie, Thelonious Monk, Herbie Hancock, and McCoy Tyner. Annie Ross talks about her struggle and ability to overcome the substance abuse lifestyle associated with musicians. In addition to teaching and lecturing at conservatories and universities, Russell was the recipient of numerous awards, honors, and grants, including a MacArthur award, two Guggenheim fellowships, and election to the Royal Swedish Academy.

At age 17, he joined the Cincinnati Symphony as principal horn.

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Two years later, he joined the orchestra of the Metropolitan Opera while also becoming active in the New York bebop scene, performing and recording with such greats as Ornette Coleman, Miles Davis, Dizzy Gillespie, and Charles Mingus. Schuller wrote more than compositions in a wide range of styles and won the Pulitzer Prize in music for Of Reminiscences and Reflections.

He also received a MacArthur Foundation Fellowship.


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  • Billie Holiday once named him as a vocalist she admired. Scott was born in in Cleveland, Ohio, and as a child was diagnosed with Kallmann syndrome, a rare condition that prevented him from experiencing puberty. Because of his condition, his voice never changed, giving his singing an almost otherworldly sound. Joe Segal , the legendary jazz promoter, first heard jazz in his hometown of Philadelphia, Pennsylvania at the Earl Theater.

    After a tenure in the army Segal enrolled in Roosevelt University in Chicago where he started presenting jazz shows as a member of the student jazz club. Though he no longer holds membership to the club he still presents shows through The Jazz Showcase. The Jazz Showcase has presented shows in over 63 venues. He has received nine Grammy Awards. Born in Newark, New Jersey, he is a major influence on the generations of musicians who have entered the scene since the s.

    His adroit piano playing enabled him to cross over freely from swing to the then-burgeoning modern jazz called bebop. In addition, his use of the flugelhorn as an alternative to trumpet influenced Art Farmer and Miles Davis, among others. As a jazz educator he was one of the earliest active practitioners to take time off from the road to enter the classroom, conducting numerous clinics and jazz camps.

    His performance so impressed George Shearing that he invited Thielemans into his band, where he stayed until He has recorded practically every major jazz musician of the s and s on thousands of albums. The signature Van Gelder sound features a clearly defined separation among the instruments, ensuring that every sonic detail is clear and audible. This was accomplished by the strategic placement of instruments in the studio, though his exact technique has always been a closely guarded secret.

    Cedar Walton talks about the feeling he received when listening to composers such as Shostakovich and Stravinsky. In , he opened his own club, formed the Storyville record label, and launched his career as a jazz entrepreneur. He toured 14 African countries with his ensemble in on a State Department tour, eventually settling in Rabat, Morocco. He later moved to Tangier, opening the African Rhythms Club in Since returning to the U. His father was a bassist and bandleader. He was born in in Shelby, Mississippi. After his family moved to Detroit in , he was able to concentrate on his music and was soon playing professionally.

    He has contributed his skill as an arranger and composer to artists ranging from Duke Ellington, Stan Kenton, and Ella Fitzgerald to the Los Angeles Philharmonic to his guitarist-son Anthony. During her years recording as a solo artist with Capitol Records, she was second in sales only to the Beatles. Although she often has crossed over to pop and rhythm-and-blues recordings, she still is best known for her jazz performances.

    She always talks about singing for movies. He remains active internationally as a bandleader, composer-arranger, and soloist. For 30 years, he was heard every weeknight as a member of The Tonight Show orchestra. Last Names I-M: J. Jamey Aebersold Recorded December 16, Jamey Aebersold , born in in New Albany, Indiana is an accomplished jazz saxophonists who is perhaps better well known as a music educator. Clip 1: Mp3 Aebersold discusses "when the sax gave in" at age Clip 2: Mp3 Aebersold discusses the goal behind his jazz clinics. Toshiko Akiyoshi Recorded June 29, Pianist, band-leader, and composer-arranger Toshiko Akiyoshi has made a vital contribution to the art of big band jazz.

    Clip 1: Mp3 Akiyoshi discusses one of her early influences. Clip 3: Mp3 Akiyoshi discusses an early gig she had at Boston's Storyville jazz club. Clip 1: Mp3 Toshiko talking about her early development on piano. Clip 3: Mp3 Talking about her time performing at Storyville.

    Clip 4: Mp3 The birth of her big band. Clip 1: Mp3 George on how his family came to America. Clip 2: Mp3 George on how they used to record in the studio. Clip 3: Mp3 George on the invention of the Clip 4: Mp3 George on his favorite musician. Clip 5: Mp3 George on Duke Ellington. Clip 5: Mp3 David Baker on imitation-assimilation-innovation.

    Harry Easton Godwin

    Clip 6: Mp3 "It's why I worked very hard Danny Barker Recorded July , A native of New Orleans, this master guitar and banjo player was well known for his humor and storytelling. Clip 3: Mp3 Danny Barker tells how he bought his first Ukulele. Clip 1: Mp3 Kenny Barron talks about his early musical influences while growing up in Philadelphia. Clip 3: Mp3 Kenny talks about his respect for Yusef Lateef. Clip 4: Mp3 Kenny Barron talks about his experience with Brazilian music.

    Clip 5: Mp3 Kenny Barron talks about his interesting film score opportunity. Clip 6: Mp3 Kenny presents his view on the importance of live music. Clip 4: Mp3 Louie Bellson on learning Ellington music with no drum charts. George Benson Recorded April , George Benson began his career as a guitarist working the corner pubs of his native Pittsburgh. Clip 1: Mp3 George Benson discusses the biggest problem for jazz.

    Clip 3: Mp3 George Benson talks about record sales in the jazz world. Clip 1: Mp3 Carla Bley: I was starting to listen to the radio. Clip 3: Mp3 Carla Bley: My father was a piano teacher. Clip 5: Mp3 Carla Bley: The record business. Clip 2: Mp3 Describes his college experience. Clip 3: Mp3 Describes the circumstances surrounding his first record for the Blue Note label. Clip 4: Mp3 Discusses why Detroit produced so many jazz musicians. Gary Burton Recorded May 6, Gary Burton has been a trendsetter in both the performance of jazz music as well as the development of jazz education.

    Clip 1: Mp3 Gary Burton elaborates on the importance of being around younger musicians as well as his own natural progression from being the youngest musician on the bandstand to becoming a mentor of young musicians. Benny Carter Recorded June 14, This native New Yorker made memorable impressions as a great bandleader and improviser. Clip 1: Mp3 Family Musical History. Clip 2: Mp3 Meeting Count Basie. Clip 3: Mp3 First Arrangements. Clip 1: Mp3 Ron Carter talks about making any bass sound like him. Clip 2: Mp3 Ron Carter talks about the advantages of long-term gigs.

    Clip 3: Mp3 Ron Carter talks about his approach to being a sideman. Clip 5: Mp3 Ron Carter talks about the role of the bass. Clip 2: Mp3 Discusses dealing with fatigue while playing drums. Clip 5: Mp3 Discusses some experiences with vocalist Billie Holiday.

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    Clip 6: Mp3 On practicing. Clip 1: Mp3 Coleman talking about Roy Eldridge tricking his fellow bandmates with a piano recording. Clip 2: Mp3 Coleman talking about playing music in different keys. Clip 3: Mp3 Coleman talking about how he had never worked with any musician for over a year. Clip 4: Mp3 Coleman gives advice for aspiring jazz musicians. Clip 5: Mp3 Coleman discussing how he studied jazz by listening to composers from different genres.

    Clip 2: Mp3 On Himself as a Musician. Clip 6: Mp3 Is Music a Language? Clip 1: Mp3 Paquito D'Rivera describes a peculiar method he used to keep in contact with family in Cuba.


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    • Clip 6: Mp3 Paquito D'Rivera discusses dropping out of high school to pursue a career in music. Clip 1: Mp3 Development of clarinet chops and taking lessons. Clip 2: Mp3 Auditioning for Tommy Dorsey contest. Clip 3: Mp3 Tommy Dorsey as a leader and playing in his band. Clip 4: Mp3 Learning classical music repertoire and its value to jazz. Jack DeJohnette Recorded November , Widely regarded as one of the great drummers in modern jazz, this Chicagoan has played with virtually every major jazz figure from the s on, including Miles Davis, Herbie Hancock, Ornette Coleman, and Sonny Rollins.

      Clip 1: Mp3 Jack DeJohnette talks about switching his focus to drumset. Clip 5: Mp3 Jack DeJohnette talks about how local musicians and performances influenced him. Clip 1: Mp3 Lou Donaldson speaks about his early influences in jazz. Clip 3: Mp3 Lou Donaldson talks about his skills on the baseball diamond. Clip 3: Mp3 Donegan discusses learning from Art Tatum. Clip 1: Mp3 Sweets' first solo. Clip 2: Mp3 Sweets talking about originality versus imitation. Clip 3: Mp3 Count Basie gave Sweets the advice to find a note and stick with it. Clip 4: Mp3 Sweets on Count Basie as a bandleader.

      Clip 5: Mp3 Sweets on the Count Basie rhythm section. Clip 4: Mp3 Art Farmer elaborates on the dynamics of a jam session. Clip 5: Mp3 Art Farmer tells us why the jazz community is incredible. Clip 2: Mp3 Frank Foster on his musical inspiration. Von Freeman Recorded Recorded May , A celebrated jazz tenor saxophonist, Von Freeman, was born and raised in Chicago and, outside of his years in the navy when he played in a military band, he rarely performed outside of the city. Clip 1: Mp3 Von Freeman on changing times and music. Clip 2: Mp3 Von Freeman on playing for himself and others.

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